A Very Bad Time to Be a Duchess

The Duchess of Malfi

The Duchess marries her steward. Her brothers react by turning their court into a torture chamber.

Author
by John Webster
Type
play · Revenge Tragedy
Published
1623
Length
Full-length drama
Status
Public domain
The Duchess of Malfi summary

The story in one page

The Duchess of Malfi marries her steward, Antonio, in a clandestine ceremony, defying the cold instructions of her brothers, the Cardinal and Ferdinand. When they discover the secret, the brothers deploy a spy named Bosola to dismantle the Duchess's life. He subjects her to elaborate mental games, dead wax figures, and a group of madmen before finally having her strangled. Guilt soon overtakes Bosola, but he remains trapped in a cycle of violence as he kills those who ordered the atrocities. By the final scene, nearly everyone is dead, leaving only the Duchess's young son to inherit the ruins of a broken house.

The Duchess of Malfi characters

Who's who

  • The Duchess

    A widow who secretly marries beneath her social rank.

  • Ferdinand

    The Duchess's brother who develops an obsessive hatred.

  • Bosola

    A hitman and spy who finds his own morality.

  • Antonio

    The household steward who becomes the Duchess's husband.

The Duchess of Malfi themes & meaning

What it's really about

Status
Rank does not protect individuals from cruel human impulses.
Retribution
Violence spirals until no one is left standing.

Why it's memorable

  • The Duchess stoically facing her executioners with a command to pull harder.
  • Bosola comparing the lives of princes to bubbles in a river.
The Duchess of Malfi ending

The ending, explained

Spoilers — show the ending

The survivors leave the stage after finding the Duchess's young son, reflecting on how even great power melts like a footprint in the snow. Integrity remains the only thing that survives the catastrophe.

The Duchess of Malfi discussion questions

For your book club

  1. The brothers view the marriage as an insult to their bloodline.
  2. Bosola’s change of heart is less a redemption and more a realization.
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