Broadway Dreams and Kentucky Schemes

Blue-grass and Broadway

A broke girl from Kentucky arrives on Broadway, and a theater producer learns that some plays actually work.

Author
by Maria Thompson Daviess
Type
novel · Romance Adventure
Published
1919
Length
Long novel
Status
Public domain
Blue-grass and Broadway summary

The story in one page

Miss Patricia Adair arrives in New York with urgent financial needs, stumbling directly into the chaotic offices of Broadway producer Godfrey Vandeford. While Vandeford manages struggling shows and temperamental actors, Patricia finds herself drafting a play titled The Purple Slipper. Despite the cynical environment of theater business, the production finds its feet. Patricia navigates the transition from Southern gentlewoman to professional playwright, eventually securing a massive hit. The professional tension between the two shifts as they prepare for a marriage and a joint trip to the Klondike, marking the end of their Broadway tenure.

Blue-grass and Broadway characters

Who's who

  • Patricia Adair

    Kentucky native turned successful Broadway playwright.

  • Godfrey Vandeford

    Cynical Broadway producer managing a troupe of theatrical performers.

  • Dennis Farraday

    Vandeford's partner in producing stage plays.

  • Adolph Meyers

    Vandeford's pragmatic office manager and typist.

Blue-grass and Broadway themes & meaning

What it's really about

Commercial Theater
Production, casting, and financial survival.
Cultural Collision
Southern rural values meeting Broadway cynicism.

Why it's memorable

  • A producer shuffling violet-tinted letters while pondering how to fix failing theater receipts.
  • A director shouting at actors to hug convincingly before the audience walks out.
Blue-grass and Broadway ending

The ending, explained

Spoilers — show the ending

Vandeford proposes marriage to Patricia, planning their wedding in Adairville before they both depart for an industrial expedition in the Klondike.

Blue-grass and Broadway discussion questions

For your book club

  1. Can a Southern upbringing survive the cutthroat world of 1919 show business?
  2. How do theater producers decide when a show is a flop?
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